NATHAN HACKETT

Australian Visual Effects Creative Director living in San Francisco.

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From Phil Tippett himself…
Tippett Studio would like to clarify what we feel was a misleading headline and article in HollywoodReporter.com today.
Given the current climate and environment affecting movies and visual effects production today, Tippett Studio has made a business decision, as we routinely do, to reduce our contract-based work force as the projects ebb and flow through our doors. 
Staffing up is easy. Scaling down is not. It’s always an emotionally challenging thing, because we are a company of artists, run by artists. By doing a slow scale-down as tasks and projects complete, we aim to keep our employees on as long as we can, and to bring them back as soon as possible.
We are not immune to the problems our colleagues are experiencing, but we are not in a period of crisis as a company with massive layoffs and bankruptcy. As a small, independent company, we are delighted when we have a series, such as the Twilight Saga,and then Ted that allowed us to maintain a sizable workforce year after year.
As we wrap our current work on After Earth, we have been slowly scaling down the work force and reducing our overhead, until we have something large enough to justify carrying a large staff, so that we can be here when our clients call. We are retaining our core talent, and will use that talent to re-staff the studio when larger projects, that need more artists, are in production.
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Creativity of Death

From Phil Tippett himself…

Tippett Studio would like to clarify what we feel was a misleading headline and article in HollywoodReporter.com today.

Given the current climate and environment affecting movies and visual effects production today, Tippett Studio has made a business decision, as we routinely do, to reduce our contract-based work force as the projects ebb and flow through our doors. 

Staffing up is easy. Scaling down is not. It’s always an emotionally challenging thing, because we are a company of artists, run by artists. By doing a slow scale-down as tasks and projects complete, we aim to keep our employees on as long as we can, and to bring them back as soon as possible.

We are not immune to the problems our colleagues are experiencing, but we are not in a period of crisis as a company with massive layoffs and bankruptcy. As a small, independent company, we are delighted when we have a series, such as the Twilight Saga,and then Ted that allowed us to maintain a sizable workforce year after year.

As we wrap our current work on After Earth, we have been slowly scaling down the work force and reducing our overhead, until we have something large enough to justify carrying a large staff, so that we can be here when our clients call. We are retaining our core talent, and will use that talent to re-staff the studio when larger projects, that need more artists, are in production.

———

Creativity of Death

As usual, Stu Maschwitz nails it when it comes to VFX and the Oscars.
Great read.
http://prolost.com/pi

As usual, Stu Maschwitz nails it when it comes to VFX and the Oscars.

Great read.

http://prolost.com/pi

Sin CIty - The All Green Screen Version

This is what we see, but also shows you how much we add to a film.

A well written article by PeterHartlaub about the Oscars and VFX last night.http://blog.sfgate.com/thebigevent/2013/02/25/biggest-oscars-snub-a-shark-attack-on-the-vfx-industry/

A well written article by PeterHartlaub about the Oscars and VFX last night.
http://blog.sfgate.com/thebigevent/2013/02/25/biggest-oscars-snub-a-shark-attack-on-the-vfx-industry/

It is very sad the state of the VFX industry.I have my own answers, but that will mean the whole film industry will have to change.  Whatever the answers, remember this image as you watch the Oscars tomorrow.  Hollywood needs to see what is happening to the VFX people who put their heart and soul into this world and create the most amazing images.
Info on Rhythm and Hues’ bankruptcy http://www.fxguide.com/quicktakes/rh-chapter-11-update/
Visual Effects Society http://www.visualeffectssociety.com/
VFX Lawhttps://twitter.com/vfxlaw
VFX Soldierhttp://vfxsoldier.wordpress.com/

It is very sad the state of the VFX industry.
I have my own answers, but that will mean the whole film industry will have to change.  Whatever the answers, remember this image as you watch the Oscars tomorrow.  Hollywood needs to see what is happening to the VFX people who put their heart and soul into this world and create the most amazing images.

Info on Rhythm and Hues’ bankruptcy
http://www.fxguide.com/quicktakes/rh-chapter-11-update/

Visual Effects Society
http://www.visualeffectssociety.com/

VFX Law
https://twitter.com/vfxlaw

VFX Soldier
http://vfxsoldier.wordpress.com/

4 Ton Dream - Ident

This is a beautiful project reminiscent of the Channel 4 Idents.  Great work by 4 Ton Dream

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An invitation for the grown and weary to journey back through the imagination of their childhood, to revisit neglected dreams and wonder once again.

Project: 4 Ton Dream Studio Identity Spot

Direction/Production: 4 Ton Dream

Narration: Mandalynn Carlson

Music: “Subterfuge”, Jon Parfitt

4tondream.com

Slingbox’s Little Buddy

Cool piece we made here at EC+WND over the christmas break.
Great work by Brandon Blizard, Pigle Chung, Nadia Khomenko & Brian Berbarich

Isaac Newton vs. Rube Goldberg

Very cool Rube Goldberg with a twist.