Gonjasufi - The Blame
I have been looking for a while for something with this colour scheme to explain a look I was trying to get… this is tops as…
Director: Neil Krug
Client: Warp Records
Production Company: Honey Badger
Executive Producer: Gower Frost
Executive Producer: John Benson
Producer: Meredith Snider
Director of Photography: David Myrick
1st AC: Jon Jung
Key Grip: Colin Stoye
Gaffer: Wyatt Denny
Visual Effects: Neil Krug
Editor: Neil Krug
Special thanks to Laura Tunstall, Steven Hill, and Warp Records..
‘The Blame’ is taken from Gonjasufi’s new album ‘MU.ZZ.LE’.
Cat Steven’s Harold & Maude Soundtrack
Released only in Japan in 1972
If you know me… there is one thing I have been looking for for the last 16 years…
Every record store i frequent is sick of me asking for it… and now it is mine.
Thanks to the internet, I found a copy buried in the UK and promptly ordered it. It is amazing.
A dream come true
Gold pure gold….
Zaion(在音)’s Nomadic Landscapes
Zaion is a great friend, who released his debut album in 2009. I was lucky enough to meet him in Tokyo when I was living there when we both played the same venue (Milk in Ebisu) in 2005. Zaion in 13cm and me in ettouchi. We became mates in Japan and then he moved to San Francisco. We kept in contact and eventually I too moved to San Francisco and we went to a lot of live shows together.
When he wrote his debut album, he asked me to play on a song and I was so excited to be a part of it. Nomadic Landscapes was the first song on the album and I played some guitars in the background.
It has always been a special song for me so I decided a long time ago to make a video for it. The animation is driven by expressions that are connected to the music. The concept was that music is the landscape, always changing and creating hills and ridges to get lost in. If you look from another angle, it is a whole new landscape. The images are formed by the music, and the landscapes move and change as the music changes.
I was so happy to have been able to have been a part of this recording and cant wait for Zaion’s next release.
If you get a chance, pick up a copy of Zaion’s Nomadic Journals… it is a treat of an album.
24 hrtz at 24 fps
Sound, practical effects and water…. this won my heart
Benga - I Will Never Change
960 Individually cut Records….
This wins my heart…. Stop Motion, Music & beautiful Cinematography…. GOLD.
Directors - Us
Producer - Liz Kessler
Line Producer - Connor Hollman
DoP - Matt Fox
Gaffer - Ben Fordesman
Editor - Vid Price
Grade - Mark Horrobin
Animation - Alice Dupre
Structural consultant - Jorge Betancor
Runner - Tayo Rapoport
Runner - Paul Mckelvie
Runner - Chaelyn Allcock
Production Company - A+
Commissioner - Dan Millar
Management - Phil Hutcheon / Andrew Foggin
Beautifully made video….
Busdriver - Kiss Me Back to Life
Starring: MISS BARBIE Q
Directed by Chris Coats
Executive Producer - Jack Richardson
Director of Photography - Elliot Sellers
Gaffer - Charlie Balch
Wardrobe/Set Design - Simon Haas
Set Dressers - Bronwen Kinzler-Britton, Joe Cocherell
Make-Up - Stefanie Salinas
Edited by Chris Coats
Produced by Jack Richardson and The Masses
Video Rep - Danielle Hinde
Performers:
Jasmine Albuquerque Croissant
Hunter Hamilton
Joshua Harron
Kristen Leahy
Jonathan Smith
Steven Synstelien
This is why Billy Corgan changed my life….
(talking about singles versus full albums…) “You want to get laid….. great…. you wanna fall in love, that’s different… I’m in the fall in love business….”
#billyswoon
SOLIPSIST
Directed by Andrew Thomas Huang
Cast Featuring: Mary Elise Hayden, Marissa Merrill & Dustin Edward
Executive Producers: David Lyons & Andrew Huang
Producers: Laura Merians & Stephanie Marshall
Cinematographer: Laura Merians
Production Designer: Hugh Zeigler
Costume Designer: Lindsey Mortensen
Hair & Makeup Designer: Jennifer Cunningham
Sound Design & Original Score: Andrew Huang
A Moo Studios & Future You Production
This is the billy that made me play guitar….
Conductor (2011) by Alexander Chen. Video capture. View live at: mta.me
Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.
More details at:
