All your base are belong to us
How To Sharpen Pencils….
2013 Austin Film Festival
2013 SF Docfest
2013 Sidewalk Film Festival (Winner: Best Documentary Short)
2013 Indie Memphis Film Festival (Winner: Special Jury Prize)
2013 Cucalorus Film Festival
A practical and theoretical treatise on the artisanal craft of pencil sharpening. The number one #2 pencil sharpener in the world, David Rees takes viewers through the delicate process of sharpening a pencil by hand.
a film by KENNETH PRICE
written by DAVID REES
camera operator DAVID HAMBRIDGE
sound mixer JUSTIN DRUST
composer FRANCIS DYER
@yinyinyinyinyin . Like a fat kid misses cake
Phillip K Smith III: Lucid Stead (Joshua Tree, California 2013)
PHILLIP K SMITH III : Lucid Stead
On the weekend of October 12th in Joshua Tree, California, artist Phillip K Smith III revealed his light based project, Lucid Stead. What was expected to be a two day event for a handful of viewers, turned into over 400 people making the journey over two weekends. People as far away as New York City and Canada traveled to the California High Desert to experience it. Numerous media sources have asked to do cover stories on the work. Thousands of photos professional and amateur, were taken, posted and shared across blogs and social media sights. In just over 30 days, Lucid Stead officially became a phenomenon.
Composed of mirror, LED lighting, custom built electronic equipment and Arduino programming amalgamated with a preexisting structure, this architectural intervention, at first, seems alien in context to the bleak landscape. Upon further viewing, Lucid Stead imposes a delirious, almost spiritual experience. Like the enveloping vista that changes hue as time passes, Lucid Stead transforms. In daylight the 70 year old homesteader shack, that serves as the armature of the piece, reflects and refracts the surrounding terrain like a mirage or an hallucination. As the sun tucks behind the mountains, slowly shifting, geometric color fields emerge until they hover in the desolate darkness. This transformation also adapts personal perception, realigning one’s sensory priorities. A heightened awareness of solitude and the measured pace of the environment is realized.
Smith states, “Lucid Stead is about tapping into the quiet and the pace of change of the desert. When you slow down and align yourself with the desert, the project begins to unfold before you. It reveals that it is about light and shadow, reflected light, projected light, and change.”
Phillip K Smith III received his Bachelor of Fine Arts and Bachelor of Architecture at the Rhode Island School of Design. He draws inspiration from the reductive logic of minimalism and the optic sensation of California’s Light and Space movement. Smith’s innovation and exploitation of new technologies keeps these ideologies current. He was honored as the 2010 Artist in Residence at the Palm Springs Art Museum and was included in the exhibition, Smooth Operations: Substance and Surface in Southern California Art, alongside artists such as Peter Alexander, Larry Bell, DeWain Valentine, and Craig Kauffman at the Museum of Art and History in Lancaster CA. He has been asked to return to the museum for a solo exhibition opening in January 2014. He has been commissioned to create over a dozen monumental art works and his light based sculptures are collected Nationwide. Phillip will open a solo exhibition of lightworks at royale projects : contemporary art in Palm Desert on November 29 2013. His work will be featured at UNTITLED art fair in Miami opening December 1st.
for more info visit: lucidstead.com
video courtesy of: Phillip K Smith, III & royale projects : contemporary art
The Beatles: The Making of the “Words of Love” video
An interviews with Pete Candeland and Giles Dill of Passion Pictures about The Beatles “Words of Love”
Pretty bloody cool
#quadcopter in the sky with diamonds
Phil Tippett answers questions about VFX on Reddit
This is the first answer…. I love him… He is the insight our industry needs.
In the olden days, producers knew what visual effects were. Now they’ve gotten into this methodology where they’ll hire a middleman – a visual effects supervisor, and this person works for the producing studio. They’re middle managers. And when you go into a review with one of them, there’s this weird sort of competition that happens. It’s a game called ‘Find What’s Wrong With This Shot’. And there’s always going to be something wrong, because everything’s subjective. And you can micromanage it down to a pixel, and that happens all the time. We’re doing it digitally, so there’s no pressure to save on film costs or whatever, so it’s not unusual to go through 500 revisions of the same shot, moving pixels around and scrutinizing this or that. That’s not how you manage artists. You encourage artists, and then you’ll get – you know – art. If your idea of managing artists is just pointing out what’s wrong and making them fix it over and over again, you end up with artists who just stand around asking “OK lady, where do you want this sofa? You want it over there? No? Fine. You want it over there? I don’t give a fuck. I’ll put it wherever you want it.” It’s creative mismanagement, it’s part of the whole corporate modality. The fish stinks from the head on down. Back on Star Wars, Robocop, we never thought about what was wrong with a shot. We just thought about how to make it better.
The Largest Glacier Carving Ever Filmed
for more watch Chasing Ice
Rethink | The agency with the most awards in the world
Will Rethink capture the award for Canadian agency of the year? Turns out we already have.
Check out the work that won real awards: http://rethinkcanada.com/our-work/new-work/
One of the best Agency videos I have seen for a while! Well played Rethink… well played!